Green Fields and Foreign Faring   47

went seemed everywhere. Word was passed that the Pope was coming. "Teedie" whispered to the little group of American children that he didn't believe in popes-that no real American would; and we all felt it was due to the stars and stripes that we should share his attitude of distant disapproval. But then, as is often the case, the miracle happened, for the crowd parted, and to our excited, childish eyes something very much like a scene in a story-book took place. The Pope, who was in his sedan-chair carried by bearers in beautiful costumes, his benign face framed in white hair and the close cap which he wore, caught sight of the group of eager little children craning their necks to see him pass; and he smiled and put out one fragile, delicate hand toward us, and, to ! the late scoffer who, in spite of the ardent Americanism that burned in his eleven-year-old soul, had as much reverence as militant patriotism in his nature, fell upon his knees and kissed the delicate hand, which for a brief moment was laid upon his fair curling hair. Whenever I think of Rome this memory comes back to me, and in a way it was so true to the character of my brother. The Pope to him had always meant what later he would have called "unwarranted superstition," but that Pope, Pio Nono, the kindly, benign old man, the moment he appeared in the flesh brought about in my brother's heart the reaction which always came when the pure, the good, or the true crossed his path.

Amongst my mother's efforts to interest us in art there was one morning when she decided positively that her little girl, at least, should do something more in keeping with the "Eternal City" than playing leap-frog on the Pincian Hill, and so, a reluctant captive, I was borne away to the Vatican Galleries, and was there initiated into the beauties of some of the frescos and sculpture. My mother, who I have already said was a natural connoisseur in all art, had especial admiration for that wonderful piece of sculpture from the hand of Michael Angelo known as "The Torso of the Vatican." This work of art stood alone in a small room, so that nothing else should take away from its